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	<title>thatian &#187; Fun with editing</title>
	<link>http://www.thatian.com</link>
	<description>Just another WordPress weblog</description>
	<pubDate>Mon, 17 May 2010 07:13:46 +0000</pubDate>
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		<title>Fun with editing</title>
		<link>http://www.thatian.com/?p=14</link>
		<comments>http://www.thatian.com/?p=14#comments</comments>
		<pubDate>Mon, 17 May 2010 00:49:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Fun with editing]]></category>

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		<description><![CDATA[This is going to be an ongoing series of posts that focus on my thoughts, techniques, and advise on video editing.  This post specifically will act as a table of contents for them.  Completed posts will be hyperlinked, while the rest will be posts I&#8217;m planning on writing.
1. Why most editing applications looks like each [...]]]></description>
			<content:encoded><![CDATA[<p>This is going to be an ongoing series of posts that focus on my thoughts, techniques, and advise on video editing.  This post specifically will act as a table of contents for them.  Completed posts will be hyperlinked, while the rest will be posts I&#8217;m planning on writing.</p>
<p>1. Why most editing applications looks like each other,  except Avid Media Composer</p>
<p>2. The science of sound and how you can easily do cool things with it</p>
<p>3. WTF : NTSC = 29.97, 59.94, PAL = 25, 50</p>
<p>4. Interlacing explained and what you can do about it</p>
<p>5. How a film becomes a video (23.976 -&gt; 29.97)</p>
<p>6. The alpha channel</p>
<p>7. Finding the moment in the footage and milking it for all you can (see and say vs say and see)</p>
<p>8. Is video tape dead? (and is that a good thing?)</p>
<p>9. Video scopes explained (at least my way of looking at them)</p>
<p>10.  WTF : Pixel aspect ratios explained</p>
<p>11.  Lets talk about color bars (just so I can feel old)</p>
<p>12. Color bit depth and how it can matter, as well as why it can be over hyped</p>
<p>13. Why 60P could convert to acceptable 24p footage, and why I think at times it fails</p>
<p>14. Why you should never pay for someone to convert 60P footage into 24P slow-mo</p>
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